The Girl Who Played with Fire (Millennium, #2) Book Pdf ePub

The Girl Who Played with Fire (Millennium, #2) Pdf

by
4.24 • 759,045 votes • 33,210 reviews
Published 28 Jul 2009
The Girl Who Played with Fire (Millennium, #2).pdf
Format Hardcover
Pages503
Edition250
Publisher Alfred A. Knopf
ISBN 0307269981
ISBN139780307269980
Languageeng



The Girl Who Played with Fire (Millennium, #2) Book Description

The Girl Who Played with Fire (Millennium, #2) Book by "Stieg Larsson, Reg Keeland" gets rating 4.24 of 5 which means good grades. Carefully read the review and description below for reference. find also other interesting ebooks in the box below.

Part blistering espionage thriller, part riveting police procedural, and part piercing exposé on social injustice, The Girl Who Played with Fire is a masterful, endlessly satisfying novel.
 
Mikael Blomkvist, crusading publisher of the magazine Millennium, has decided to run a story that will expose an extensive sex trafficking operation. On the eve of its publication, the two reporters responsible for the article are murdered, and the fingerprints found on the murder weapon belong to his friend, the troubled genius hacker Lisbeth Salander. Blomkvist, convinced of Salander’s innocence, plunges into an investigation. Meanwhile, Salander herself is drawn into a murderous game of cat and mouse, which forces her to face her dark past.
From the Trade Paperback edition.

"The Girl Who Played with Fire (Millennium, #2)" Pdf Reviews

Grace Tjan
- The United States
5
Fri, 24 Jul 2009

ILLUSTRATED!
What I learned from this book (in no particular order):
1. Swedish billionaires furnish their multi-million dollar apartments with IKEA --- well, at least ONE peculiar Swedish billionaire.
Poang Chair $40
2. Asperger's Syndrome may give you the idea that a T-shirt that says ‘I’M AN ALIEN’ is acceptable office wear, but also photographic memory and phenomenal mathematical ability.
3. "Sweden is one of the countries that imports the most prostitutes per capita from Russia and the Baltics". Naughty Swedes.
4. The best computer in the world is a Mac, but no matter what computer you have, Asphyxia WILL suck up all your digital secrets.
5. You can live on Billy's Pan Pizza for days on end and STILL look like an anorexic teenager.
6. All rapists and violent sex offenders should have these words tattooed on their stomachs: "I AM A SADISTIC PIG, A PERVERT AND A RAPIST". The tattoo should be done by an amateur and not be removable even by laser. Repeat offenders will be tattooed on their foreheads. It is recommended that the subject be tasered first before undergoing this involuntary procedure.
7. "There were not so many physical threats that could not be countered with a decent hammer". Buy a good-sized one from the hardware store and keep it in your bag always.
8. Failing that, a girl must always have the following ready:
a. keys (to scratch an opponent's face);
b. a can of mace, though it's illegal in Sweden; and
c. a taser (a 50,000 volts jolt to the crotch will incapacitate even the burliest of men).
9. "Men could be as big as a house and made of granite, but they all had balls in the same place". A crucial fact to remember in a fight, especially if you are fighting a 300 pounds, six foot six giant with hands as big as frying pans.
POTENTIAL SPOILER
10. A cigarette case is a useful tool for digging yourself out of a grave.
My review of : http://www.goodreads.com/review/show/...
and
: http://www.goodreads.com/review/show/...

Jayson
- Vancouver, BC, Canada
4
Fri, 02 Aug 2013

(A-) 82% | Very Good
Notes: An entirely different mood, pace and atmosphere than its predecessor, it thrives off the strength of a single character.

Lisa
- Chicago, IL
1
Fri, 30 Oct 2009

The first book was for the most part plot-driven. The 40-year old mystery took a while to unfold, but was interesting when it did. So was Lisbeth, although she wasn't the main focus. Enter, The Girl Who Played With Fire. The story has now turned character-driven with Lisbeth as the protagonist. But instead of having much of a plot of any character revelations about her early on, we read about her buying a new apartment, grocery shopping, and what furniture she picked out at IKEA in *great* detail. Seriously, you could go down to the store and decorate the same way if you wanted, that's the level of description he gave. I was bored out of my mind. This goes on for a staggering 172 pages.
Mystery thriller? Surely you jest! This book wasn't a mystery whatsoever for me. The fact that the police and everyone else working to solve the case chose to ignore it was pitiful.
The turning point didn't happen until page 172, which was about 100 pages too late to hold the interest of any reader who's not a masochist. The quick pace and interest it generates rapidly disappears until 375.Really. It was more bloated than a rotting whale.
The Girl With the Dragon Tattoo was a better book. I wanted to throw this one against the wall a few times.

Nataliya
- San Jose, CA
3
Sun, 01 Jan 2012

Stieg Larsson doesn't really do subtle. If he thinks an issue is important, he will shout it from the rooftops. With a megaphone. But since he is condemning misogyny and violence towards women, I'm ok with that.

"Salander was the woman who hated men who hate women."
This book, much more than its predecessor, focuses on the tiny-but-tough Lisbeth Salander. We learn quite a bit about the fascinating and horrific backstory that led to Salander developing her unique, defensive, prickly personality.
"Don’t ever fight with Lisbeth Salander. Her attitude towards the rest of the world is that if someone threatens her with a gun, she’ll get a bigger gun."

But don't let the focus on Lisbeth fool you - essentially, this book should have been simply titled Men Who Hate Women, Part II (Men Who Hate Women was the original title of the first Swedish book, before it was changed to include a more marketable dragon tattoo) as its main theme remains the same as its predecessor's, repeated and restated countless times. And that's why I liked this otherwise far from perfect book.
Yet again, Larsson determinedly exposes the unlikable aspects of society - misogyny and adherence to judgmental standards and gender norms that are ever-present even in the European paradise of Sweden. The surface mystery is just that - a plot device, an excuse to get a new angle on Larsson's favorite topic. We see the various shades and sides of hatred towards women, especially if they try to get out of the bounds that society neatly places for them. This is reflected first and foremost in the awful treatment that Salander receives, but also in the treatment of Lisbeth's mother, Sonia Bodig, and the helpless and easily ignored by the society victims of sex trafficking.
"When all the media assertions were put together, the police appeared to be hunting for a psychotic lesbian who had joined a cult of Satanists that propagandized for S&M sex and hated society in general and men in particular."
I loved the no-compromise and no-subtlety message that this book delivers on the subjects that are indeed not subtle and should not be compromised on.
However, I could not help but sigh and eyeroll at Larsson's less-than-perfect prose. His books could have really benefited from the generous use of editor's red pen. (But I do understand that these books were published posthumously and therefore probably not much was cut out out of respect to the dead author.) My gripes are similar to those of many other readers - the tediousness of every minute detail, the never-ending parade of brand names reading like an ad at times, and what feels like the entire Ikea catalog making a special appearance. This diary-like filler could have been easily cut out, leaving a much shorter and much sharper book. I also giggled at the author's self-insertion and clear wish-fulfillment in the memorable figure of incorruptible and irresistible journalist Blomkvist. And how can I forget a grating pet-peeve of not getting a medical condition right: [spoilers removed].
The final grade is 3 stars - full marks for the awesome message of the story, but points taken off for far-from-perfect execution.
"His attitude had always been that if a woman clearly indicated that she did not want anything more to do with him, he would go on his way. Not respecting such a message would in his eyes, show a lack of respect for her."

Brad
- Summerside, PE, Canada
4
Tue, 27 Jul 2010

I am confident that Stieg Larsson has a reason for this, but Lisbeth Salander is not much of a heroine. Let's list her transgressions from The Girl Who Played With Fire (and these will be deliberately out of context):
1. She forces herself on a 16 year old boy in Granada.
2. She kills a man on the beach during a hurricane.
3. She shuts out Blomkvist for a very long time for a perceived slight, giving him no explanation.
4. She fails to take or show the necessary care with her ex-guardian after his stroke.
5. She alienates everyone else who cares about her.
6. She lives off billions that she stole.
7. She invades the apartment of her "guardian" and threatens his life in the middle of the night.
8. She endangers the lives of friends and innocents.
9. She very nearly burned her father to death when she was a teenager.
10. She pulls a gun on the owner of a car rental agency and shuts him in a broom closet to control him.
11. She commits multiple computer violations, including the hacking of government computers.
12. She carries and uses illegal weapons.
13. She is genuinely ultraviolent.
14. She shoots a man in the foot after macing his eyes, and she tasers another in the testicles.
15. She steals a motorcycle.
16. She chops her father's knee and skull with an axe.
17. She is vengeful in a way that makes Edmond Dantès look like a sissy.
Let's face it, Lisbeth is more than a little bit nasty. And taken a step further, it is safe to say that she is not particularly likable. She is cold, calculating, emotionally irrational, mean, detached, abrasive, unapproachable, unfriendly, selfish, mercenary, vengeful, and more than a few other things most of us would classify as unlikable.
Out of context, Lisbeth Salander is the kind of person who most people would be more than happy to see locked up forever. And if all we had to go on were the reports of newspapers and descriptions of trials, we'd all see it as a failure of the "justice system" if she went free.
Yet we cheer for her in the Millenium Trilogy; we can't seem to help ourselves. And therein lies what Stieg Larsson is trying to tell us with his challenging protagonist -- context is everything.
Larsson isn't simply writing a compelling series of thrillers (and I haven't been so locked into a book, as I was with GWPWF, for a very long time). He isn't simply fishing for a film deal. He isn't just sitting down to write a vapid bestseller. I'd even go so far as to say that Stieg Larsson is not a hack. Nowhere near. He is criticizing the very efficacy of what we so proudly call the "rule of law."
Larsson is suggesting that the "rule of law" fails because it has no room for context. It deals in absolutes (unless you're one of the super-rich or super-influential), and it doesn't give a damn whether you perceived a threat before you lit someone on fire; it doesn't care whether the sixteen year old you're having sex with is mature, in love with you and is totally willing; it doesn't care that you stole the car or killed someone to save a life; it doesn't care that you withheld evidence from the police to protect yourself or someone you love; it doesn't care that you hacked into computers for altruistic reasons; it doesn't care that you were bred to ultraviolence through nature and nurture; it doesn't care about you and it doesn't care about context. It just doesn't care, and because it doesn't care Larsson suggests that we should have a healthy disdain for the "rule of law" and recognize its terrible shortcomings because it is the structure we have to live with whether we like it or not.
Yet with all this, The Girl Who Played With Fire is -- most importantly -- a cracking read. It is fast paced, cinematic in its noirishness, full of suspense, has a genuine twist or two (one of which actually took me by surprise), a cast of characters it is almost impossible not to love and hate (as the mood takes you) -- even thought they are all rather static -- and it ends with a cliff hanger of the first order (I am guessing this is a problem for some readers, but I am a fan of the cliff hanger).
What a shame Stieg Larsson passed from us so soon. I could have read his books for the rest of my life.

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